Friday, February 8, 2008

the way of the bird

the way of the bird

Bhajans

Pilgrims on the river bank at Pandharpur, holy city of MaharashtraThis page is an offering to those who wish to have access to the bhajans, or devotional songs to the guru, as sung in the tradition of Shri Ranjit Maharaj and Shri Nisargadatta Maharaj, and their guru before them, Shri Siddharameshwar Maharaj, as well as his guru before him, Shri Bhauseheb Maharaj.

The singing of bhajans or devotional songs is a very ancient tradition in India. The bhajans that are presented here come from several sources. For the most part, these bhajans come from the writings of Saint Tukaram, Saint Ramdas, or some of their devotees. Several verses were added later by devotees of Shri Siddharameshwar Maharaj.


Devotional Advaita?

Many people wonder about the significance of bhajans and the role that they play in a teaching that is rooted in Advaita Vedanta. Ranjit Maharaj used to say that the bhajans played two important roles for the devotee. He would say that the teaching of this lineage is contained in the bhajans, and that consistently singing the bhajans helped the devotee by keeping his or her mind focused on the teaching contained therein. He constantly urged his disciples to understand the meaning of the words contained within the bhajans, which was the same as his own teaching. As for the second role that the bhajans play, he would say that once one had understood the teaching of the sadguru, the bhajans should be sung as a means of worshipping him who has given that most precious understanding. He would say "sing the bhajans without understanding, or sing them with understanding, but the best is to sing them with understanding." Maharaj would say that devotion naturally follows Self-knowledge, and for the one who did not worship their Master after Self-knowledge had been gained, the pride of ego remained intact.

Times for singing bhajans
Maharaj never laid down any hard and fast rules of conduct for anyone. He did say however "Sing the Bhajans!" Many people with backgrounds in Advaita would come to him with a reluctance for doing any kind of devotional practice. Some would even argue with him about the particulars of how to worship. He would invariably say, "worship in your own way, I don't say no, just do the worship." When asked about times, He would generally say that when doing bhajans with others, do them at a time that is convenient for all, and when doing the bhajans by oneself, there is no set time that they have to be done. Typically, in Mumbai, bhajans are done at Maharaj's apartment twice a day, once around mid-day, for Morning Bhajans, and in the early evening, for the Afternoon and Night Bhajans, which are usually done together. Devotees are usually on their own to do Kakad Arati whenever they deem appropriate.

As a general guideline for those who wish to do bhajans on their own, Kakad Arati is done sometime shortly after one wakes up in the morning. Morning Bhajans are usually done sometime between mid-morning and mid-afternoon. Afternoon and Night Bhajans are most commonly done together sometime in the evening. Bhajans are traditionally done in front of a photo or photos of the Master or Masters of the lineage.

Note: It is not necessary always to sing the complete version of all the bhajans to benefit from them. If one has a busy schedule, there are ways to shorten them, such as omitting repeats, singing them quickly, or just singing afternoon bhajans in the evening and not the night bhajans. The main point is to use the routine of singing bhajans to keep the mind focused on what is truly important.

A few words about Arati, Prasad, and Puja
India is a land full of customs and rituals. The act of performing arati, the offering of prasad, and the performing of puja are customs that are performed daily in Maharaj's apartment in Mumbai, and also during special gatherings of the devotees of Shri Ranjit Maharaj and Shri Nisargadatta Maharaj which are called saptahs. Arati is done at the end of the bhajans each time that they are done. So arati is done at the conclusion of Kakad Arati Bhajans, Morning Bhajans, and Afternoon-Night Bhajans.

Arati literally means the waving of light. The main significance of this is that the one who is waving the light is only the light of Consciousness waving the light, which is only Consciousness, to the light of Consciousness who is the one being worshipped. It is nicely described in the translation of Kakad Arati where it is said, "I came to do arati, and I lit myself".

Prasad is a small offering of some special food or sweet that is traditionally placed in front of an image of the Master. This is symbolic of offering everything to the Master, and the recognition that everything is truly His, and nothing is "mine". As for puja, Maharaj never specifically told western devotees that they should do regular puja, however many of them do. Puja is basically the act of worshipping, which is done in a prescribed manner. The first section of Morning Bhajans explains the significance of the various aspects of puja. Anyone wishing to become more familiar with the actual ritual of puja would be advised to visit Maharaj's apartment on Dubhash Lane in Mumbai to learn about it first hand.

It is worth mentioning that most devotees do practice the act of offering flowers as a means of decorating the table or place where they keep a photo of Maharaj. These flower offerings are not required, but as can also be said for doing the bhajans themselves, the significance of this activity can only be understood when one partakes in it.

Recordings of principal bhajans (mp3 format)
These recordings are being made available for those who wish to use them as an aid in learning to sing the bhajans for themselves. Right-click the link and then click Save Target As to download the mp3 file.

Kakad Arati with Ranjit Maharaj in Hawaii, 1998 (24min, 44sec - Chidanandaroopa included)

Morning Bhajans with Sri Ranjit Maharaj in Hawaii, 1998 (16min, 26sec)

Afternoon and Night Bhajans recorded in Maharaj's Apartment Mumbai, 2000 (37min, 45sec, includes Ranjit Maharaj arati and Shri Siddharameshwar Maharaj arati)

Recordings of other songs (mp3 format)
These songs are sung after the arati and are are comprised of: Shej Arati, Karuna Ashtak, Palana, singing of Jai Guru while waiving of light, Abhay Daan, and Sadgurustavan. The words for some of these songs are contained in the bhajan book "Pathway to Understanding."

After Arati chants, not including Sadgurustavan (11min, 24sec)

Bhajan words with English translation (htm format)
Click on the links below to view the text of the Bhajans as well as the translations in English. This text is from the book "Pathway to Understanding." You can order the "Pathway to Understanding," book here.

Kakad arati

Morning bhajans

Afternoon Bhajans

Night Bhajans

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pravachana

pravachana

ನರದೇಹದ ಕರ್ತವ್ಯ:-

ಆನಂದ ! ಆನಂದ !! ಆನಂದ !!! ಅಖಿಲ ಜೀವದ ಮುಲ ಸ್ವರೂಪವು ಆನಂದವೇ ಇರುತ್ತದೆ. ವಿಚಾರ ಮಾಡಿದರೆ ಈ ಮಾತಿನ ಅನುಭವವು ಈಗಲೇ ಬರುವಂತೆ ಅದೆ. ಚಿಚ್ಛಮತ್ಕಾರ ರೂಪವಾದ ಜಗದ್ಭ್ರಮೆಯ ಮತ್ತು ಜೀವನದ ಮೇಲೆ ಬಂದ ಮನಸ್ಸು,ಬುದ್ದಿ,ದೇಹ ಮುಂತಾದ ಹೊದಿಕೆ ಗಳ ತ್ಯಾಗ ಮಾಡಿ ತನ್ನಲ್ಲಿ ತಾನು ಲೀನವಾದರೆ ಆ ಸುಖದ ಅನುಭವವು ಬರುತ್ತದೆ. ಆ ಸ್ವರೋಪಾನಂದವನ್ನು ವರ್ಣಿಸಲಿಕ್ಕೆ ಶಬ್ದಗಳೆ ಸಿಗಲಾರವು!

ಅಷ್ಟೇಕೆ, ಅಜ್ಞಾನವಸ್ತೆಯಲ್ಲಿಯಾದರೂ ಜಿವನಿಗೆ ಕಾಮ-ಕ್ರೋಧ,ಸುಖ- ದುಃಖ ಮುಂತಾದ ವಿಕಾರಗಳು ಅನೇಕವಾಗಿ ಉಂಟಾಗುವವಷ್ಟೇ. ಈ ಸುಖ- ದುಃಖಾದಿಗಳು ಯಾವ ಪರಮ ಸುಖದಲ್ಲಿ ಐಕ್ಯ ವಾಗುವವೋ ಆ ಸುಖದಬಗ್ಗೆ ಏನೆಂದು ಹೇಳಬಹುದು? ಆ ಸ್ವರೋಪನಂದಾವು ಇರದಿದ್ದರೆ ಬಂದ ಕ್ರೋದವು ಎಲ್ಲಿ ಅಡಗುತ್ತಿತ್ತು? ಬಂದ ಸುಖ- ದುಃಖಾದಿಗಳು ಎಲ್ಲಿ ಲಯ ಹೊಂದು ತ್ತಿದ್ದವು? ಅದಿಲ್ಲದಿದ್ದರೆ ಬಂದ ಕಾಮ,ಕ್ರೋಧ,ಸುಖ, ದುಃಖಾದಿಗಳು ಎಂದೆಂದಿಗೂ ಉಳಿಯಬೇಕಾಗಿದ್ದಿತು ! ಅರ್ಥಾತ್ ಪರಮನಂದ ಸ್ವರೂಪ ಆತ್ಮನ ಅಸ್ತಿತ್ವವೂ ನಿರ್ವೀದವಾದವಾಗಿದೆ. ಇಂಥ ಸ್ವರೂಪಾನಂದವನ್ನು ಮರೆತು ಜೀವನು ಇರುವೆ,ತಗಣಿ,ನೊರಜು ಮುಂತಾದ 84 ಲಕ್ಷ್ಯಯೋನಿಗಳ ಯಾತ್ರೆಗಾಗಿ ಹೊರಟಿರುವನು ಮತ್ತು ದುಃಖಸಾಗರದಲ್ಲಿ ಹಾಯ್ ಹಾಯ್ ಮಾಡುತ್ತಾ ಮುಳಗಿ ಏಳುತ್ತಿರುವನು ! ಈ ಮಹಾ ದುಃಖದಿಂದ ಪಾರಗಬೇಕಾದರೆ ಆತ್ಮಜ್ಞಾನವೊಂದೇ ಉಪಾಯವಿರುವದು ಹಾಗೂ ಆತ್ಮಜ್ಞಾನವೂ ನರದೆಹಕ್ಕೆ ಮಾತ್ರ ಸಾದ್ಯವಿರುತ್ತದೆ.
ಜೀವನಿಗೆ ನರದೇಹವು ಬಹು ಕಷ್ಟದಿಂದ ದೊರಕುತ್ತದೆ. ಎತ್ತು,ಎಮ್ಮೆ,ಕುದುರೆ,ಗಿಡ ಮುಂತಾದ ಅನೇಕ ಯೋನಿ ಗಳಲ್ಲಿ ಮನುಷ್ಯನ ಸೇವೆ ಮಾಡಿದನಂತರ ಮನುಷ್ಯ ದೇಹ ವು ಪ್ರಾಪ್ತವಾಗುತ್ತದೆ. ಶ್ರೀರಾಮಾದಾಸರು ದಾಸಬೋಧದಲ್ಲಿ ಹೇಳಿದಂತೆ 'ಅನಂತ ಪುಣ್ಯದ ಫಲವೇ" ಈ ನರ ದೇಹ ವಿರುತ್ತದೆ.
ನರ ದೇಹಕ್ಕೆ ಬಂದು ಆತ್ಮಜ್ಞಾನ ಪಡೆದರೆ ಮೋಕ್ಷವಾಗುವುದು. ನರದೆಹಕ್ಕೆ ಮೋಕ್ಷವೂ ಸಾಧ್ಯವಿರುವದರಿಂದಲೇ ಎಲ್ಲ ಶಾಸ್ತ್ರಗಳು ಇದನ್ನು ಅನೇಕ ಪ್ರಕಾರವಾಗಿ ಕೊಂಡಾ ಡಿರುವವು! ನರ ದೇಹದ ಫಲರೋಪವಾದ ಮೋಕ್ಷವನ್ನು ದೊರಕಿಸಿದಿದ್ದರೆ ಮನುಷ್ಯನಿಗೊ ಪಶುಗಳಿ ಗೊ ಅಂತರವೇನು?
ಶ್ಲೋಕ:- ಆಹಾರ ನಿದ್ರಾಭಯ ಮೈಥುನಮ್ ಚ ಸಾಮನ್ಯಮೆತತ್ಪಶುಭಿರ್ನ ರಾಣಮ್ ಜ್ಞಾನಮ್ ಹಿ ತೆಷಾಮಧಿ ಕೋ ವಿಶೇಷೋ ಜ್ಞಾನೇನಾ ಹಿನಃಪಶುಭಿಃ ಸಮಾನಃ
ಭಾವಾರ್ಥ;- ಆಹಾರ-ನಿದ್ದೆ-ಭಯಕೋಟಗಳು ಪಶುಗಳಿ ಗೊ ಮನುಷ್ಯರಿ ಗೊ ಸಮಾನವೇ ಇರುವವು.ಅದರೆ ಮನುಷ್ಯರಿಗೆ ಜ್ಞಾನವೊಂದು ಹೆಚ್ಚಿನ ವಿಶೇಷಾವಿದ್ದು ಅಂಥ ಜ್ಞಾನರಹಿತರಾಗಿ ವರ್ತಿಸುವವರು ಪಶುಗಳೇಸೈ ! ನರ ದೇಹದಿಂದ ಜ್ಞಾನವನ್ನು ಪ್ರಾಪ್ತಿಮಾಡಿಕೊಂಡು ಮೋಕ್ಷ ಪಡೆದರೆ ನಾವು ಮನುಷ್ಯರೆನ್ನು ವದು ಸಿದ್ದವಾಗುವದು. ಇಲ್ಲದಿದ್ದರೆ ಅತಿ ಕಷ್ಟದಿಂದ ಸಂಪಾದಿಸಿದ ದುರ್ಲಭ ನರ ದೇಹವನ್ನು ವ್ಯರ್ಥ ಕಳಕೊಂಡಂತಾಗಿ 'ಪುನರಪಿ ಜನನಮ್ ಪುನರಪಿ ಮರಣ ಮ್ ಪುನರಪಿ ಜನನೀ ಜಠರೆ ಶಯನಂ ' ಎಂಬ 84 ಲಕ್ಸ್ಶ್ಯದ ಯಾತ್ರೆಯು ಪುನಃ ಪ್ರಾರಂಭವಾಗುವದು! ಈಗಲಾದರೂ ಈ ನರ ದೇಹ ವು 84 ಲಕ್ಷ್ಯಯೋನಿಗಳಲ್ಲಿಯ ದುಃಖವನ್ನು ಅನುಭವಿಸಿಯೇ ಸಿಕ್ಕಿರುವದು. ಇಷ್ಟು ಯಾತಾನೆಗಳನ್ನನುಭವಿಸಿ ದೊರಕಿ ದಂಟ್ ಥ ನರ ದೇಹದಿಂದ ಜ್ಞಾನರೂಪ ಫಲವನ್ನು ಹೊಂದಿರದೇ ಎಲ್ಲ ಜನ್ಮಗಳಲ್ಲಿ ಕಷ್ಟಪಟ್ಟದ್ದು ಸಾರ್ಥಕವು.

ಭೋಧ ವಚನಗಳು



1. ನಮ್ಮ ದ್ಯೇಯವು ಅತಿ ಉಚ್ಚವಿರಹತಕ್ಕದ್ದು.
2. ಮಿಂಚಿ ಹೋದಮಾತಿಗೆ ಚಿಂತಿಸಬೇಡಿರಿ; ಮತ್ತು ಮುಂದಿನ ಸುಖದ ಕಡೆಗೆ ಲಕ್ಶ್ಯಕೊಡಿರಿ.
3. ನಿಜಸುಖದ ಪ್ರಾಪ್ತಿಗಾಗಿ ಸತತ ಪ್ರಯತ್ನವಿರಲಿ.
4. ದೊಡ್ಡ ಮನಸ್ಸಿರಲಿ. ಯಾರಿಗೂ ನಿಂದೆ, ಮತ್ಸರ, ದ್ವೇಷ ಮಾಡದೇ ಎಲ್ಲರ ಕಲ್ಯಾಣವನ್ನು ಚಿಂತಿಸಿರಿ.
5. ಬ್ರಮ್ಹಚರ್ಯವನ್ನು ಪಾಲಿಸಿರಿ--'ರತನಕೋ ಜತನ ಕರೋ!'
6. ಆತ್ಮಜ್ಞಾನವನ್ನು ದೊರಕಿಸಿಕೊಂಡರೆ ನಿಮ್ಮ ಮತ್ತು ಜಗತ್ತಿನ ಕಲ್ಯಾಣವಾಗುವುದು.
7. ದೊರಕಿಸುವುದೆಲ್ಲವನ್ನು ಇದೇ ಕ್ಷಣಕ್ಕೆ ದೊರಕಿಸಿಕೊಳ್ಳಿರಿ, ಯಾಕೆಂದರೆ ಆಯುಷ್ಯವು ನಿಯಮದ್ದಲ್ಲ!!
8. ಬೇಕಾದಷ್ಟು ಪ್ರಯತ್ನ ಮಾಡಿರಿ, ಆದರೆ ನಿಮ್ಮ ಧ್ಯೇಯವನ್ನು ಸಾಧಿಸಲಿಕ್ಕೆ ಮರೆಯಬೆಡಿರಿ. ನಿಮ್ಮ ಕಲ್ಯಾಣದ ಮಾರ್ಗವು ನಿಮಗೆ ಹೊಳೆಯದಿದ್ದರೆ ಸದ್ಗುರು ಗಳಿಗೆ ಶರಣು ಹೋಗಿರಿ.

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